AF 101: “Art” Film Appreciation
Course Syllabus
1st Semester, SY 2010
Francis Underwood C. King, ME
Sebastian E. Xavier, PhD
Course Description
“Art” Film Appreciation is the critical approach in viewing “art” films. Basically, what this course intends to do is open the mind of students when it comes to “art” films. Students will be equipped with the necessary knowledge, skills, and tools (hehehehehe) in understanding and analyzing “art” films. It also aims to teach students the methods and techniques in making/producing “art” films.
Course Objectives
At the end of the semester, the students should be able to:
1. Differentiate the principles and techniques presented by the Western and Eastern “art” films
2. Develop critical and analytical thinking when viewing “art” films
3. Analyze literary elements presented by such films (if there are any)
4. View “art” films as a respectable and profitable genre in cinema
5. View “art” films as more than just a form of entertainment; but as a work of art as well
6. Apply “art” films in everyday life
Course Contents
· Introduction to “art” films
· History of “art” films
o The first “art” film
o Censorship (bastards)
o Effects of “art” films in mainstream cinema and culture
· Western “art” films
o American
o European
· Eastern “art” films
o Japanese
o Bomba Films
· “Art” film animations
o Western
o Eastern
· Application of “art” films in everyday life
Course Outline and Timeframe
Date | Activity |
Week 1 | Class orientation Getting to know the class Expectation Setting Checking of “potentials” |
Week 2 | Discussion of course requirements Grouping for the final project |
Week 3 | What is “Art” Film 101 The current state of “art” films |
Week 4 | History of “art” films Evolution of “art” films through years |
Week 5 | Censorship (bastards) Current laws regarding “art” films |
Week 6 | Effects of “art” films in mainstream cinema and culture Different perspectives on “art” films |
Week 7 | Long Test 1 |
Week 8 | American “art” films Techniques and methods of American “art” films Production companies, organizations, and conventions Icons in Western “art” films |
Week 9 | European “art” films Techniques and methods of European “art” films Amsterdam Icons in European “art” films |
Week 10 | Long Test 2 |
Week 11 | Japanese “art” films Techniques and methods of Japanese “art” films Peculiar censorship of Japanese “art” films Icons in Japanese “art” films |
Week 12 | Filipino “art” films Techniques and methods of Filipino “art” films Bomba tapes during the martial law era Icons in Filipino “art” films |
Week 13 | Long Test 3 |
Week 14 | Western “art” film animation |
Week 15 | Eastern “art” film animation |
Week 16 | Application of “art” films |
Week 17 | Synthesis of lessons Consulation for the final project |
Week 18 | Final Exam |
Course References
Moore, A. (2006). Lost Girls. Georgia: Top Shelf Productions
Jameson, J. and Strauss, N. (2004). How to Make Love Like a Pornstar: A Cautionary Tale. New York: ReganBooks.
THE INTERNET
Other additional materials “provided” by the instructors
Course Requirements
Major Exams: 4 Long Tests = 40%
Major Papers: 4 Review Papers = 20%
Assignments and Class Participation = 10%
Group Project: Homemade Film (Giggity, giggity, goo!) = 30%
Grading System
A = 92% and above
B+ = 87 - 91
B = 83 - 86
C+ = 79 - 82
C = 75 - 78
D = 70 - 74
F = below 70%
W = more than 3 cuts
K (kickout) = no final project
Classroom Policies
1. 3 lates will be considered as 1 cut
2. Students are only allowed a maximum of 3 cuts
3. Submit a 2x2 picture by the 2nd meeting
4. Bring their own laptop to class
5. Must have a good internet connection and a functional browser
6. Must have a credit card account
7. Students must bring a DVD of their choice every meeting for show and tell
8. Use of cellular phones are only allowed for transfer of data
9. BYOT – Bring Your Own Tissue
10. Clean the mess before leaving the classroom
Class Hours
Every Friday, 6 – 9 PM
Consultation Hours
Anytime as long as you make an appointment. If you really need to consult and you don’t have an appointment, just bring something new to show us; that would serve as your password. No, you cannot contact us.
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